As part of an article on today's adland in The Age yesterday, the writer Suzy Freeman Greene wrote a small spin-off column looking at the way Don Draper did it.
Of course Don's fictional so he didn't relly do it. But you know what I mean.
Anyway one of her points was the quaintness of the way Draper presented concepts on an easel.
Well I don't know about you but I don't find anything quaint in this at all.
It's standard business practice is pretty much every pitch I've ever worked on.
And just because the business itself has been transformed by digital doesn't mean everything has.
The A2 mounting board. The loosely drawn scamp. The telling of stories.
These are part and parcel of our business and have been since forever.
Given the political leanings on show during Massive Attack's gig in Melbourne not too long ago I was somewhat surprised to hear they'd licensed one of their songs for a car commercial.
Nothing wrong with advertising cars. I work on them myself.
But the combination of Massive Attack and Lincoln just didn't seem right to me.
Turns out the band are actually donating their monies from the ad to the charitable initiative set up to help clean up the Gulf oil spill.
Meaning what looked suspiciously like a "sell out" was in fact a clever piece of fundraising as lateral thinking.
Truly creative people aren't always easy to work with. They can be difficult. Obstinate. Argumentative. But trust me when I say they are worth their weight in gold.