There has been much written (and discussed) about the announcement last week that Publicis was opting out of the award show circuit.
I couldn't care one way or the other to be honest as I reckon there are far too many award shows giving awards to the same pieces of work.
What I want to know is why an agency group can make a call this big, seemingly on a whim, but they can't do something just as radical about adland's ongoing diversity issue.
I could sit and watch this all day. But to be honest I'd rather sit and watch the rooftop scene from the original Italian Job which is where the inspiration for this idea was borrowed from.
Ten years ago I was working on the launch of the all new Falcon for Ford.
I was part of a broad team so a lot (and I do mean a lot) of ideas were generated.
Over the course of what seemed like a lifetime close to 50 (yes 50) TVC concepts were presented to the client.
In the end the ad that was created was in essence a car driving along a winding road.
The accompanying outdoor campaign consisted of posters of the car with a Ford logo.
I was reminded of this by the Corsair ad above that I found on a Tumblr yesterday.
After all these years (and with so much more money and technology) auto advertising hasn't really changed.
Agencies and their creative people can come up with as many ideas as they want.
But in the end auto makers feel more comfortable running TV spots of cars driving on winding roads and posters of the car on a three quarter angle with a logo.
This new Sony Bravia spot is lovely. Beautifully shot. And great music. But am I the only person who longs for the days when all you needed to sell a great TV was a truckload of coloured balls bouncing down the street?