Nice chat with David Droga and Emily Anderson from Ogilvy about the creative opportunities offered by online video. Well worth five minutes out of your day.
Books always feature in Wes Anderson films. And now someone has put together a lovely short film about his use of books. Shame they missed out Life Aquatic though.
This week my team made a direct mail poster with an augmented reality feature.
When we presented the concept the client team were amazed by the AR.
They'd never seen anything like it.
Not surprising really as these kind of ideas are generally only seen in case study videos at award shows.
Which leads me very nicely to this brilliant but lengthy quote about Cannes Lions by Tom Goodwin from Havas:
"I wonder if it isn’t time to put Cannes in its place — as a source of inspiration and provocation, rather than a celebration of the best work the industry has done for clients in the year gone by. I’d liken it to a fashion show. No normal people buy the haute couture designs but they nonetheless set trends and influence high street fashion. Isn’t it best to see the Cannes winners in the same light? To set them on a pedestal and challenge the industry to do more work like this, or which takes inspiration from this, with mainstream budgets in the real world. This would be a useful filter for judges too — and might lead to the weeding out of “clever-clever” ideas that aren’t scalable."
Dave Trott. The wise old man of what we fondly refer to as Adland. Here's what he has to say about Cannes: "Ad festivals prevent creativity. You’re not doing advertising for six million people in the street anymore, but for ten people on the jury, and for a few clients. You win an award, because then Martin Sorrell will give you a raise, and Martin Sorrell can go and tell Unilever that he won an award, and Unilever will maybe give him another piece of digital business. How has that got anything to do with the job we’re supposed to be doing?"